Showing posts with label mysteries. Show all posts
Showing posts with label mysteries. Show all posts

Friday, December 07, 2012

COVERS and covers



I am totally unaware of why I like or don't like a book's cover. When my publishers send me a cover proposal, I immediately show it to my husband, my daughter-in-law, or my website designer, all of whom have a WAY better sense of what makes a good cover than I do.


That said, I am smart enough to see when a book cover attracts people and when it doesn't. I've published books that people merely glance at and books that "call out" to readers. I watch their hands reach out for them subconsciously. KILLING SILENCE is in the latter category.

"That looks good," readers tell me when I hand out bookmarks. "Ooh, what's this about?" they ask, taking the book into their hands.

Exactly the kind of thing a writer wants to hear.

Amazon and other on-line bookstores have changed cover art, because a lot of detail is lost when a book is shrunk to the size readers see when they get little hints like "People who bought this book also bought..." Print books might still have beautiful colors and images, but they fade into blurs in those tiny squares.

Simpler is the trend, but a cover shouldn't look naked. I've set up at book fairs next to people who so obviously designed their own covers that it's almost painful. Yeah, they think it's "stark" and "evocative." Too often, it looks cheap.

I tried the less expensive route once, hiring an art student to design a cover. It turned out that "student" was a relative term. This one had no sense of perspective, no real interest in making a cover that popped. Luckily for me, my web guy saw it (he almost choked) and offered to work on it. Using the same images, he made the cover you see below, a vast improvement on the flat offering from the student.

I recently recovered the rights to a book published with a cover that always made me a little uncomfortable. At the time, I thought, "The publisher knows what will sell," but it turned out that particular publisher didn't know much at all. I've contracted with a professional artist to do a new cover for the book, one whose work I saw through a fellow author's website. She's been wonderful, and I'll post her cover here as soon as it's finalized, early next week.

So what's my cover recommendation for those planning to publish their backlists and more? Unless you've got experience in graphic arts AND an artist's eye, pay someone to design your covers.

Tuesday, October 25, 2011

Do You Read Mysteries While You're Writing One?

There are some mystery writers who say they never read mysteries while they are writing one. Of course the reasoning is they don't want to borrow something from another author's work sub-consciously.

If I didn't read any mysteries while I'm writing, I'd never get any reading done. I don't read anyone's work that is anything like what I write. Lately I've been reading James Lee Burke. Wow, I'd like to write like him, but I never will. I don't write about the brutal crimes and crazed and warped people like he does. (Sure wish I could write descriptions like he does though.)

My books border on being cozies--I had one reviewer say my Rocky Bluff P.D. series was like a soap opera because of the way the private lives of the cops are depicted. To me, what is happening to them and their families at home is as important as what's going on in whatever crimes they are trying to solve. (Actually the review was quite flattering and had much more to say than that.) I have lots of characters and POVs in this series. The setting is a beach community and I love writing about the kind of place I used to live in.) Angel Lost is the latest one in that series.

In my Deputy Tempe Crabtree mysteries, Tempe is the main character and usually the story unfolds totally through her point of view. Her "side-kick" is her preacher husband and he often helps her a lot--and in Bears With Us, the latest, he is right there to assist her in chasing bears out of people's houses.

I say borders on being cozies because the cases are solved by law enforcement officers rather than amateur sleuths as what is the usual case in a cozy. However, I don't much bad language and you don't see much in the way of blood and guts, though both do get spilled. An Axe to Grind began with a beheading. Though my characters are normal they do have sex, but usually it happens behind closed doors. So I do have some of the ingredients (or lack thereof) that are required in a cozy.


I do read cozies, but I tend to like the ones best that are a bit edgier than the norm. Frankly, I'll read anything that comes my way--the only thing that holds me back is time. I read horror, thrillers, any kind of mystery, and occasionally non-fiction.

But when it comes to writing, though I've written other genres, right now I'm sticking to my not-quite cozy mysteries.

How about your? What do you read while you're writing?

Marilyn
http://fictionforyou.com

Friday, February 25, 2011

Bad Words

As a teacher, I used to get a lot of interest when I told my classes that we would be discussing swearwords. In the first place, I don't think the students thought I knew any. In the second place, most kids don't think much about where such words come from.
Swearing is ancient. It's addressed in the Ten Commandments. (In case you weren't paying attention, it's frowned upon.) People have apparently always had an urge to call other people something really, really bad when they're mad at them. What's interesting is what we consider bad.
Using terms for the Creator "in vain" was and still is to many people the worst sort of language. Oddly, some Christian cultures see it differently: the German "Mein Gott" and the French "Mon Dieu" are seen as expressions, not swearing. We've gone a long way in that direction. Even those nice game shows on TV don't bother to bleep the "Oh, my God" repetitions from joyful contestants anymore.
In addition to terms concerning the Deity, there are lots of other "bad" words, including words that demean another person. In an earlier post, I mentioned that some words did not start out to be insults, like "wench" and "villain". They were terms for the lower class and, since there were only two classes, the upper class took offense when those terms were applied to them.
Different cultures insult each other in different ways. European and Asian insults often liken a person to an animal, like calling someone a "goat" or a "buffalo". The Japanese tend to insult a person by implying that he does not act logically, and they also drag vegetables into it, perhaps calling someone an "irrational carrot". An interesting Jewish insult seems like a compliment on the surface. If a traditional Jew says "may a child be named after you", don't get all warm and fuzzy. In their tradition, children are not named after living people. So he's wishing...well, you get it.
American insults tend to be sexual, which probably stems from our Puritan roots, i.e., sex is bad, so people are insulted by referring to their sexual behavior. Generally, we insult a woman by saying that she sleeps around. Oddly enough, you really can't insult a man that way: “gigolo” just doesn’t have the hurting power of “whore”. You can, however, insult a man’s MOTHER’s sexuality, and the circumstances of his birth. Those are usually fighting words.
Terms that indicate sexual perversion are favorites for insults among males. They come and go rapidly, creating confusion for the uninitiated. I worked with a teacher who went ballistic if students used the word “bugger”. Her background was English, and to her it was a very nasty word. The kids would come to me in genuine confusion to ask why she got so upset. To them, and to most speakers of American English, it was a pretty innocuous word.
Research in some tribal areas in the South Seas found that our worst sexually-based insults seemed humorous to the people living there. The idea that a man would sleep with his mother brought laughter, since it was so far out of their experience. Conversely, a terrible insult in the Maori culture is something like "cooked head", which we don't get at all. (Maybe we don’t want to consider whence that one came!)
It's interesting to note that when so-called "swear words" are over-used, they lose their original potency and even their meaning. Used as adjectives to modify any noun, even nouns the speaker has nothing against, they become brain stutters, fillers thrown into some people’s speech without insult or even intent. The speakers seem unaware of them, but they might insult listeners who object either to the word choice or to the constant repetition. There are frequent arguments among readers and writers about how much swearing is enough or too much in books. For me, language helps to establish characters, and I don’t mind swearing that does that. Craig Johnson’s Moretti, for example, is real to me because she is the perfect example of the unconscious swearer. Foul-mouthed, yes. A bad person? Hardly.
I suppose it comes down to what a person has been taught is insulting.
The Prizes-Weekly prizes (your choice of THE DEAD DETECTIVE AGENCY in e- or print format) drawn from the names of those who comment on the blogs as we go. Comment once/day, but the first commenter each day gets entered twice in Saturday’s drawing!

The Pathway: The final entry in the February Blog Crawl will be Monday, Feb. 28, at Stacy Juba’s blog at http://www.stacyjuba.com/blog. This is your last chance to comment and enter the drawing for a copy of THE DEAD DETECTIVE AGENCY in either paperback or e-book.
The Pitch: THE DEAD DETECTIVE AGENCY, First in The Dead Detective Mysteries, paranormal mystery. Tori Van Camp wakes in a stateroom on a cruise ship with no memory of booking a cruise, but she does have a vivid recollection of being shot in the chest. Determined to find out what happened and why, Tori enlists the help of an odd detective named Seamus. Together they embark on an investigation like nothing she’s ever experienced. Death is all around her, and unless they act quickly, two people she cares about are prime candidates for murder. Read more about this book and the author at http://pegherring.com or buy the book at http://www.ll-publications.com/deaddetectiveagency.html.
The Perpetrator: Peg Herring writes historical and contemporary mysteries. She loves everything about publishing, even editing (most days). Peg’s historical series, The Simon and Elizabeth Mysteries, debuted in 2010 to great reviews. The second in the series will be available in November from Five Star.

Wednesday, December 15, 2010

What Mystery Writing Demands

Mystery as a genre is often dismissed as...well...genre fiction. It's true that there are expected, almost required elements that can make a mystery formulaic. Events sometimes veer from reality for the sake of plot. The police ignore possibilities outside the box. The protag loses his cell phone. He goes alone to a place where every sense should be screaming, "Don't!" A convenient character shows up and drops an essential bit of information without any real reason for doing so.
(In the book I'm currently reading--big name author--the protag is just wandering through an area and two complete strangers venture out of their homes, one after the other, and invite him in. Each provides valuable information about the case. Maybe I'm lacking social sense, but I cannot recall the last time I saw someone passing on the road and asked him in for tea!)
Mystery writing--at least the best of it--requires writing talent along with an additional skill: mystery construction. To create characters who resonate, plots that hold interest, and settings that pop is one thing, and we certainly want that. To at the same time drop hints for the reader, hints that add up later but don't give the whole thing away, is both different and difficult. Everything has to contribute, every blind alley must be believable at first but then not. As a reader, I feel cheated if a character has shown no sign of evil and yet is in the end. I hate it when the crime is so elaborate there is little possibility of it succeeding, and yet it does. I'm angry when the evildoer is not even on the radar until the final revelation.
In addition to good story-telling, then, a mystery writer has to do good mystery-telling. Unlike other genres, mystery is a maze. The writer knows the layout, and the reader must follow his lead. He should not meander, should not examine unrelated avenues. He should guide the reader deftly, with a clear reason for every twist and turn taken.
A reader of mystery should be entertained by good writing, but she should also find at the end that she was given, within the maze, a fair chance to solve the puzzle by herself. One hopes that she missed it, being so entertained by the journey.

Monday, November 22, 2010

Why Do We Enjoy Reading and Writing Mysteries?

When I read the newspapers and see the Internet news telling about heinous crimes, I think how awful. Often my mind goes to the families of all who are affected--not just the families who are related to the dead, but also the families of the one who did the killing.

In the books sometimes there isn't much about the family, but if there is they are usually twisted too, much like the criminal himself.In fact, the cruel father or the sadistic mother is what created the monster. In real life, often the family is as shocked by the actions of the killer as the rest of the world.

I was thinking about this while enjoying a mystery about a serial killer, then later reading something on the Internet about a real serial killer and shuddering.

This made me stop and think. Though I don't write about serial killers, I do write about ordinary people (or those who appear ordinary) who do bad things to other people and I got to wondering about it. Why do I enjoy reading and writing about such things?

I think the answer has to be in the books the bad guy always is caught and received some kind of justice. In real life, sometimes the bad guy is never caught or if he is caught and put on trial, sometimes something happens and he is released because of a mistrial or a jury finds him not guilty.

Do your have another opinion? I'd love to hear it.

Marilyn

Monday, July 26, 2010

MysterEbooks Launches

Today marks the beginning of a new webblog for owners of e-readers. Mysterebooks.blogspot.com begins listing mysteries for e-books with author-submitted information and reviews. This week's listings are below. Please stop by and read, comment, and enjoy!


Monday, July 26, 2010
Title THE FOUR LAST THINGS (Simeon Grist #1)
Author Timothy Hallinan
Genre/Sub-genre: LA private eye novel
Tuesday:
Title TO CATCH A COP
AUTHOR Elle Druskin
GENRE Mystery/Romance
Wenesday:
Title: Murder On The Mind
Author: L.L. Bartlett
Genre: Mystery/Paranormal
Thursday:
Title THE SHADOW OF REALITY, #1 The Elizabeth & Richard Mysteries
Author Donna Fletcher Crow
Genre Mystery/ Romantic Intrigue
Friday:
TITLE: Follow The Falcon
AUTHOR: Steve Kendall
GENRE: mystery

Monday, July 12, 2010

My Own Criminal Mind

I'm new to this blog, so I'll introduce myself in a sort of roundabout way.
After reading my books, friends sometimes confess to being shocked at how my mind works. At church yesterday (yup, I'm the choir director at the local Methodist church) a man came up to me and said without preface, "GO HOME AND DIE?"
He'd found my newest book on Amazon, an e-book from Red Rose Publishing. He thought it sounded quite violent, but he liked the idea of a Vietnam-era mystery once I explained it.
My historical series, which began in January with HER HIGHNESS' FIRST MURDER (Five Star)describes murders on the streets of Tudor London. One friend who read the galley to look for errors claimed she had trouble getting to sleep afterward. To me, it just made sense to combine my decades of teaching English and history and my love of mystery. Tudors and headless corpses? Makes sense to me.
I just contracted with LL Publishing on a paranormal, THE DEAD DETECTIVE AGENCY. Sure, it sounds, well, deadly, but what else do we read mysteries for?
My books are not grisly, dark or noir-ish. They are the best plot, characters, setting, and writing that I can devise. If after reading them you believe I have a criminal mind, just remember, we write murders so we don't really have to do them.