Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Tuesday, June 21, 2016

Fun Read & Great Writing Advice

MYSTERY MONDAYS 2015-2016: Writing Tips From Over 30 Contributing Authors

FREE

Although not all mysteries are crime-related, many novels in this genre are. If you are looking for some insider information on writing mysteries from authors themselves, this is a great collection of short, easy-to-read pieces, with both professional and personal slants.

https://kristinastanley.com/2016/06/20/mystery-mondays-a-gift-for-you/In celebration of the one year anniversary of her blog series, MYSTERY MONDAYS, Kristina Stanley, best-selling author of the Stone Mountain Mystery Series, pulled together the permission of her guest bloggers and is offering a free collection of their words of advice.

It's worth a look. My own personal piece on "The Mystery of Life" is on page 61.

Order MYSTERY MONDAYS 2015-2016





Eileen Schuh, Author
SHADOW RIDERS
DISPASSIONATE LIES
FIREWALLS
FATAL ERROR

Schrödinger's Cat
THE TRAZ


Saturday, October 10, 2015

Get DIVINE INTERVENTION free!

Free October 10-12 on Amazon - http://getBook.at/DivineIntervention

CFBI agent Jasmine McLellan leads a psychically gifted team in the hunt for a serial arsonist--a murderer who has already taken the lives of three people. 

Jasi and her team members--Psychometric Empath and profiler Ben Roberst and Victim Empath Natassia Prushenko--are joined by Brandon Walsh, the handsome but skeptical Chief of Arson Investigations. In a manhunt that takes them from Vancouver to Kelowna, Penticton and Victoria, they are led down a twisting path of sinister secrets. 

Free October 10-12 on Amazon - http://getBook.at/DivineIntervention

And pick up DIVINE JUSTICE, book 2 in the trilogy for $0.99 during the same dates via Amazon.com and Amazon.co.uk.

SALE: Over 50% off DEADLY DOZEN Mystery/Thriller Bundle

Oct 10-16 SALE: Get over 50% OFF the DEADLY DOZEN Book Bundle via Amazon.com and Amazon.co.uk

This bundle contains 12 complete mystery/thriller novels by award-winning and international bestselling authors: Cheryl Kaye Tardif, Catherine Astolfo, Alison Bruce, Melodie Campbell/Cynthia St-Pierre, Gloria Ferris, Donna Galanti, Kat Flannery, Jesse Giles Christiansen, Rosemary McCracken, Susan J. McLeod, C. S. Lakin and Linda Merlino. 

1. THE BRIDGEMAN by Catherine Astolfo 
2. DEADLY LEGACY by Alison Bruce 
3. A PURSE TO DIE FOR by Melodie Campbell & Cynthia St-Pierre 
4. CHEAT THE HANGMAN by Gloria Ferris 
5. A HUMAN ELEMENT by Donna Galanti 
6. LAKOTA HONOR by Kat Flannery 
7. PELICAN BAY by Jesse Giles Christiansen 
8. SAFE HARBOR by Rosemary McCracken 
9. SOUL AND SHADOW by Susan J. McLeod 
10. INNOCENT LITTLE CRIMES by C. S. Lakin 
11. ROOM OF TEARS by Linda Merlino 
12. DIVINE INTERVENTION by Cheryl Kaye Tardif 

With an individual list price total of more than $45.00 and over 640 reviews collectively on Amazon.com, the DEADLY DOZEN Book Bundle is a value-packed, rollercoaster thrill ride that takes you from amateur sleuth to detective to paranormal to ancient mysteries set in intriguing worlds and so much more. 

Oct 10-16 SALE: Get over 50% OFF the DEADLY DOZEN Book Bundle via Amazon.com and Amazon.co.uk

Monday, May 26, 2014

Get DIVINE INTERVENTION for FREE!

Everyone needs a little DIVINE INTERVENTION. And now you can get it FREE at Amazon, Kobo and Smashwords!

Amazon: http://getBook.at/divineintervention 

Kobo: http://store.kobobooks.com/en-CA/ebook/divine-intervention-20

Smashwords: https://www.smashwords.com/books/view/13677

CFBI agent Jasmine McLellan leads a psychically gifted team in the hunt for a serial arsonist―a murderer who has already taken the lives of three people.

Jasi and her team members―Psychometric Empath and profiler Ben Roberts and Victim Empath Natassia Prushenko―are joined by Brandon Walsh, the handsome but skeptical Chief of Arson Investigations. In a manhunt that takes them from Vancouver to Kelowna, Penticton and Victoria, they are led down a twisting path of sinister secrets.

Sifting through ashes and clues, Jasi realizes that there is more to the third victim than meets the eye. Perhaps not all of the victims were that innocent. The hunt intensifies when she learns that someone they know is next on the arsonist's list.

Unleashing her gift as a Pyro-Psychic, Jasi is compelled toward smoldering ashes and enters the killer's mind―a mind bent on destruction and revenge. And in the heat of early summer, Jasi discovers that a murderer lies in wait…much closer than she ever imagined.

Book 1 in the Divine series

"Sci-fi and mystery fans will love this book." ―Writer's Digest

Be sure to share this post so all your friends can enjoy a free ebook and a little DIVINE INTERVENTION of their own.

Monday, December 02, 2013

You Write This Great Book, and Then...

...you have to let people know about it.
Honestly? Yuck.
I'd rather people see the title (A LETHAL TIME AND PLACE--now, isn't that compelling?) and say to themselves, "The '60s? Murder? Plot twists? I have to own that book!"
But no. There are thousands of books and authors out there, clamoring for readers' attention.
So authors do stuff--promotion stuff.
*We do pre-release buzz: Little blurbs all over the place that say, "Hey, this book is cool and unique and you've heard of this woman if you're a mystery fan. She's gotten awards. She's gotten great reviews from all the big guys."
*We do specials. Amazon has a new thing: Kindle Countdown, and A Lethal Time and Place is scheduled for Tuesday, Dec. 3rd. The idea is that you get the book for 99 cents for the first few days of the sale, then the price starts to slide upward to its original amount. I guess the message is "HURRY! BUY IT NOW!"
*We do more. Announcements. Blogs. We beg for reviews (Please, just 20 words! You can do that!). We Facebook, Tweet, Goodreads, and onward. We get our name out there. We get our book's name out there.
But honestly? Yuck. I'd rather be working on the sequel.

Monday, October 21, 2013

How Much to Tell the Reader

A book has an intriguing subplot. It's cool. It's satisfying. It's unique.
So how much do you tell the reader?
When I introduced my Dead Detective Series, I thought it was essential to keep the fact that the main character was dead a secret until the reader got to know her a little. Not so the reviewers, who started with that, thrilled with the idea of dead people investigating crimes in order to provide answers for victims. The book got EPIC's Best Novel of 2012, despite the fact I thought the reviews spoiled the surprise for readers.

I'm about to send my next project into the world, A LETHAL TIME AND PLACE (December). It, too, has surprises, though they have nothing to do with the Afterlife. The lead characters have secrets, and it's obvious from the first they're desperate to protect them. That becomes difficult when they witness a murder and take in a young orphan. Murder will out, as they say, and secrets are hard to keep with a teenager around.

I'm having a little difficulty writing the promo copy. How do I get across how enjoyable the process of finding out about these people is without giving away the very things the reader will want to read the book for? I guess it's a good problem to have--so much mystery in the mystery!

I'm looking for reviewers who'd like a free e-copy, so contact me if you're the reviewing sort and this book sounds like something you'd enjoy.
 www.pegherring.com or find me on Facebook https://www.facebook.com/pages/Pegs-News/108697482481217?ref=hl#

Thursday, January 03, 2013

Writing Gear



I got my first contract in 2008, and since then I’ve published nine books, including three different series for two different publishers. I don’t expect you to be impressed. I’m just telling you that for background.
Those first few novels were like a fever in my blood. I had no idea what was going to happen in the next chapter or even on the next page. I didn’t know if what I wrote was good, bad, or in between. I just knew I had to get it out of my head.
These days things are a little different. Fans ask, “When’s the next Loser novel coming out?” and I know they have questions they want answered about her. Publishers ask, “How many books will the Simon and Elizabeth series contain?” and I know they’re looking at the bottom line. And editors ask, “When can you get the changes for the next Dead Detective book done?” and I know they have schedules to meet.
It’s not just my eager fingers making me write these days.
Published authors know that writing really is work. It becomes a little less of a Great Adventure and more of a Project. There are people out there with expectations, which is different from the days when we used to write as much as we felt like writing, any way we wanted to.
That said, I still look forward to the next book. It’s exciting to turn the ideas in my head into a full novel that people are out there waiting to buy. As I write, things come to mind that add meat to the story’s backbone or flesh to a character’s frame. I’m likely to laugh out loud or do a little celebratory dance when a particularly good idea hits.
And there’s a point where the writing becomes a fever again, when I begin to live inside the book. My characters matter to me—a lot. I forget about publishing houses and editors and even fans. It’s my story. I want to tell it. I know what has to happen, and I know how it has to be told.
When I finish, I emerge from my cloud of fiction to face the real world again. I listen to my editors’ suggestions, do what my publishers request for promotion, and let the fans know that Another One is available. At that point, though, the book isn’t mine anymore. It belongs to the readers, but yes, thank you, I did have fun with it during the brief period when it was only mine.

Friday, November 30, 2012

Goodnight, Tweetheart by Cheryl Kaye Tardif is featured at the Twitter Fiction Festival

Yesterday, I participated in the inaugural Twitter Fiction Festival. I tweeted a short story I wrote live during the evening of this event. You can read the tweets by going to #goodnighttweetheart on Twitter, or you can read the short short below.

GOODNIGHT, TWEETHEART
A Myrtle Murphy Mystery by Cheryl Kaye Tardif

One tweet. That's all it took to send my life spiralling out of control. One goddamn little tweet on that magic social network pipeline. If I had only known it would lead to murder, maybe I wouldn't have tweeted it.

My tweet: Anyone out there live near the Starbucks in SE Edmonton?

The result: Six replies. Two from jokesters who lived in Edmonton, Kentucky. I'm in Canada. The other four I wasn't too sure about. Could be weirdos; could be lonely people. There are a lot of crackpots out there—and I've met a few of them online. Haven't we all?

I mean, I've had the "twalker" (tweet stalker) who has followed me, RTd my tweets…and then hit me up for a "favor," only to get all pissy because I wouldn't give them my first born. I've had the bashers who haven't liked my tweets. Aw, gee, too damned bad. It's a free tweet world!

But on that day last week, I had 4 tweeps. 2 turned into creeps. One ended up in Zimbabwe or some such country. The other…well, there was my mistake. The other convinced me to meet him at that Starbucks I'd tweeted about.

You ever get those weird fuzzy feelings? You know, when you know something's not quite right? Well, I did. I had all sorts of "warnings." But I was too stupid to listen to them.

I met him at Starbucks and my first reaction was: Holy ****! What a hunk! We went back to his place. "For a drink," he told me. But I had other plans.

I tried to reign in my urges, but as soon as he took off his jacket, my palms grew sweaty. I wanted him. Hell, did I want him! I imagined him naked, on the bed, wrists and ankles bound. 50 Shades of Grey, my ass. I'd give him a hundred, and he'd enjoy each one.

Before I tell you what happened next, you have to promise me you won't tell a soul. This is just between you and me—our little secret. And if you tell, I guess I'd have to kill you.

Now where was I? Oh yes…the hunk on the bed, naked, tied up. Sadly it didn't go quite as planned. The drug I slipped into his wine took too long to work and I grew impatient. Patience never has been one of my virtues. Just ask my husband. Oh wait, he's dead. Okay, ask my mother-in-law. Oh wait. She's dead too. Here's another secret: I killed them both.

And on that night, after a delicious chai tea latte date, I slowly undressed that hunk of a man, watched as he stretched out on the bed, his mind trying to comprehend.

"I thought you were just a sweet old lady looking for someone to talk to," he said.

I smiled. "I know, dear. I do look like the grandmotherly type, don't I?"

He didn't fight as I tied him to the bed. He couldn't. His drug-glazed eyes pleaded with me.

I held up my knife, its sleek blade glimmering in the dim light. "I have something for you."

Actually, it was more for me than him. I had missed my old friend Death. It had been too long.

Like Dexter, I have my own "dark passenger" that I just can't shake. Don't know if I want to. Some call me a monster. Others call me a serial killer. But most people call me Myrtle—Myrtle Murphy.

Want to get together for a coffee some day?

~ * ~

If you enjoyed this short Myrtle Murphy Mystery, you'll find longer stories featuring the serial killer you'll hate to love in SKELETONS IN THE CLOSET & OTHER CREEPY STORIES, available on Amazon in paperback or Kindle, and on B&N, Apple, Kobo Books and more.

Thursday, October 18, 2012

Murder's Not as Easy as It Looks

Vicarious murder, I mean. Not sure how difficult the real kind is, and I really don't want to know.

For a mystery writer, though, murder becomes problematical. First, it has to be entertaining for the reader. Some writers go for gory detail, but that isn't my cup of poison, so I have to be creative. And when you've got a few books out, you start to realize that all the murders can't be the same kind. The victim can't always be shot or pushed down the stairs. Readers notice these things.

To make matters worse, a crime must have repercussions. If the police know a murder's been committed, there will be an investigation. If that happens, likely suspects will be examined for motive, means, and opportunity. Everyone who's ever seen Perry Mason re-runs knows it, so the writer must help his killer remain undetected, at least for 200 pages or so.

Does he make the murder seem accidental? Good idea, but how? When you actually try to set up a convenient accident, you'll find it isn't as simple as it might seem. What if someone sees the killer at the victim's house? How does he get the person to cooperate in his own demise? What about all those CSI people who'll be looking at every shred of evidence?

Does the killer try to blame someone else? Possible, but he (or she) will have to assure that the person hasn't got an alibi. He'll have to lead the police to his choice of suspect and away from himself.

And what about the method? Face-to-face methods are quick but require either sangfroid or the opposite (would that be sangchaud?) More removed methods call for careful planning. Many a murder mystery has been ruined for me because the killer could not have known he'd get the right victim and might just as easily killed someone else entirely (of course, that could be part of the plot...)

Right now I'm planning my next plot (or is that plotting my next plan?), and I want the victim to die of poison. Fine. Now which poison will provide what I want: a quick death that looks like suicide that can be administered by an unknowing third party by a manipulative killer several thousand miles away?

I don't ask for much, really. I just want an entertaining (vicarious) death.

Tuesday, May 22, 2012


Today I'm stopping here on my blog tour, which is winding down, but there are still chances to win prizes and see what's going on with Seamus.

Schedule: Peg Herring’s Blog Tour for May (and one post in June) consists of a mix of interviews with Seamus, the Dead Detective, and posts on writing. The previous stop was on May 16 at http://its-not-all-gravy.blogspot.comThe next stop on the tour will be on May 25th at http://www.preciousmonsters.com/ A complete schedule is posted at Peg’s blog, http://itsamysterytomepegherring.blogspot.com/ When the tour is over (June 11th) the complete Seamus interview will be posted there.

Prizes: People who comment on any blog post on the tour will be entered in drawings for several prizes: Dead Detective T-shirts, copies of THE DEAD DETECTIVE AGENCY and DEAD FOR THE MONEY (paperback or e-books available), and the chance to be a character in the third of the series DEAD FOR THE SHOW. Multiple winners will be drawn.

Links: DEAD FOR THE MONEY (e-book) http://tinyurl.com/c6pzz5z
THE DEAD DETECTIVE AGENCY (paperback) http://tinyurl.com/7f6yc2r
Peg’s website: http://pegherring.com

Taking Stock
There’s a line of commercials lately that traces minor events in life that snowball and lead to disaster. In one, a guy frustrated by his cable service ends up beaten bloody in a ditch. I’m not sure that’s true for mystery writing, but the life of a mystery writer goes a little like this.
When you start writing a mystery novel, you want to know more about crime. When you want to know more about crime, you begin paying too much attention to television. When you pay too much attention to television, you begin to think that every action has a secret motive. When you think every action has a secret motive, you suspect everyone. When you suspect everyone, scenarios form in your brain. When scenarios form in your brain, you write them down. When you write them down, you have a mystery novel!
When I take stock of who I am today and who I was before I started writing, I see major growth in the area of in-brain storytelling. Passing a person on the street who’s fumbling through his clothes brings up the idea that he’s the victim of pickpockets, when it’s likely he just forgot where he stashed his keys. A sighting of an armored car brings up visions of armed gunmen pulling the driver to the ground and driving it away before anyone can stop them. A story in a newspaper of an unidentified body found in the woods of northern Michigan creates a whole list of possibilities, none of them as mundane as the truth, that it’s some pitiful Alzheimer’s victim who wandered away from home and couldn’t get back.
It isn’t life that’s changed; it’s me. Mystery writing is an addiction, and like all addictions, we can recognize it, admit to it, and struggle against it, but it’s always there. It’s partly the fault of others, those who say, “Oh, that was such a clever twist in your last book!”
“Oh,” I say to myself, “they think THAT was clever—wait till they see what I do next time!”
Friends in the mystery-writing community confess to the same thoughts. We start viewing the world in terms of plot-lines, people in terms of character possibilities, and even aspects of nature in terms of a great line for the next book. We don’t look at the world the way others do, or maybe even the way we used to: it isn’t just life anymore: it’s all fodder for the next book or the one after that.
I sometimes feel that I should warn my friends. Like a karate expert who must register his hands as lethal weapons, maybe all mystery writers should be made to wear that T-shirt you see at conventions that says: Be careful or you’ll end up in my next novel.

Thursday, April 26, 2012

Free Kindle ebook: WHALE SONG by Cheryl Kaye Tardif

On April 26 and 27, I am giving away free Kindle copies of my "heart book"--WHALE SONG. It is the best gift I can think of to give you.

I call it my "heart book" because it was my first published book and the story I am most emotionally connected to of all my titles. To say I "love" this book is an understatement. :-)

Whale Song has literally changed people's lives. In fact, one woman told me it "saved" her. Another told me it reunited her with her mother, who also read my novel. Another said it helped her deal with the loss of a parent. Many readers have laughed and cried and healed. I am blessed.

So today please accept a free copy of WHALE SONG and share it with a loved one.

This international bestseller, which has received much movie interest, is FREE on Amazon TODAY & TOMORROW only.

WHALE SONG

A "compelling" story of family ties, love, tragedy, sacrifice and transformation that will change the way you view life...and death.

Thirteen years ago, Sarah Richardson’s life was shattered after the tragic death of her mother. The shocking event left a grief-stricken teen-aged Sarah with partial amnesia.

Some things are easier to forget.

But now a familiar voice from her childhood sends Sarah, a talented mid-twenties ad exec, back to her past. A past that she had thought was long buried.

Some things are meant to be buried.

Torn by nightmares and visions of a yellow-eyed wolf and aided by creatures of the Earth and killer whales that call to her in the night, Sarah must face her fears and recover her memories―even if it destroys her.

Some things are meant to be remembered―at all cost.

Reviews:

“I read Whale Song and loved it.” ―Jodelle Ferland, actress (The Twilight Saga: Eclipse, Case 39)

“Tardif’s story has that perennially crowd-pleasing combination of sweet and sad that so often propels popular commercial fiction…Tardif, already a big hit in Canada…a name to reckon with south of the border.” ―Booklist

“Whale Song is deep and true, a compelling story of love and family and the mysteries of the human heart...a beautiful, haunting novel.” ―NY Times bestselling novelist Luanne Rice, author of Beach Girls

“A wonderfully well-written novel. Wonderful characters [that] shine. The settings are exquisitely described. The writing is lyrical. Whale Song would make a wonderful movie.” ―Writer’s Digest

“Whale Song is reminiscent of Ring of Endless Light by M. L’Engle, and Secret Life of Bees by Sue Monk Kidd.” ―Carol D. O’Dell, author of Mothering Mother

“One doesn’t simply read a Tardif story, one experiences it! Among the very few authors I’ve ever said that about is my all-time favorite Pat Conroy. Like him, Cheryl Kaye Tardif has a definite way with words.” ―Betty Dravis, co-author of Dream Reachers I & II.

“Tardif leaves a lasting mark on her readers…Moving and irresistible.” ―Midwest Book Review

Pick up your FREE Kindle copy of WHALE SONG today. You can read it on your Kindle ereader, smartphone, tablet with the Kindle app, PC or laptop.

Tuesday, April 24, 2012

To Agent or Not to Agent

I had an agent once. Then I had another agent. Then I had the first agent again. Then I had no agent.
Recently I was offered the chance for a new agent. I'm sitting on the fence, trying to decide which way to jump.
On the one side are people who say that the old system is breaking down, and authors don't need to become cogs in the machine. They argue that you have more freedom as an author if you go it alone: you write what you want to write and let the people who publish that type of thing work with you instead of writing what some Bighouse Publisher thinks the world wants to read.
On the other side are the people who are actually making money, because those Bighouse Publishers print in tens of thousands rather than hundreds of books. Those people generally have an agent. (Before you start writing that comment, I know there are exceptions, people who make a ton with an indie book. They're widely discussed and seldom imitated.)
So the arguments go back and forth. Agents take a percentage, and at least in one of my past experiences, do nothing to earn it that I couldn't have done for myself. But there's always the hope that an agent will know the editor who is looking right this minute for exactly what I just wrote. That's why they're worth that percentage-- when the system works.
What I have decided is that I'm operating from a much better position now than I was when I dealt with the first two agents (one of whom dropped me. The other I fired, but in the nicest possible way.) I know the business better now. I have some successes under my belt that make me a desirable client rather than a "Please Sir or Madam, will you read my book" type. I know that an agent is supposed to work for me, not act as if she's doing me a big favor by reading an occasional email. And I know what a good one can do for my career if I decide I really want to enter the larger stage and take on the pressures of Advanced Writing and Publishing. With this knowledge, I plan to meet with my prospective agent soon. When that happens, we will meet as members of a potentially productive team, and I will be every bit as ready to say, "Not for me" as she is.

Monday, January 30, 2012

Manuscript Euthanasia

There comes a time when an author has to admit that a manuscript just isn't working out. When that time comes, the kindest thing to do is kill it, quickly and with finality.
I had an idea that I thought was really cool, but I had a lot of other things going, so I worked on my "cool" thing in bits and pieces. It took a couple of years, but I finally got it done and started what I always do, reading it aloud.
It stinks. There's way too much repetition; it takes forever to get to a bit of excitement; the characters talk too much; and there are places where I need a Greek god to come down from Olympus and fix the plot.
So what should I do?
I'm going to kill it, or at least cryogenically freeze it until some date in the future when it can be thawed and perhaps revived. That's the nice thing about writing, I guess: dead doesn't always mean dead, it can be "mostly dead," a la The Princess Bride, which means it's possible that someday, my manuscript will become a movie starring Andre the Giant--no, wait. He's dead.

Monday, September 26, 2011

Time and Timing: Where Did September Go?

The last week of the month, and I'm definitely not ready for October. As a writer,I try to take stock monthly of what has been accomplished so I can assess my success and plan what still needs to be done.
I went to Bouchercon. That was a lot of fun, but a lot of work, too: arranging to be away from home, traveling the distance from Michigan to Missouri, and smiling, smiling, smiling, no matter that my feet hurt or I felt like the smallest fish in the pond at times.
I did a lot of promotion for the upcoming release, POISON, YOUR GRACE, and got some response: great reviews from PUBLISHERS WEEKLY and LIBRARY JOURNAL. I also heard yesterday that THE DEAD DETECTIVE AGENCY is a finalist for best mystery novel in the EPIC (electronically published) judging. All good stuff.
So what didn't I do?
I meant to get the second Dead Detective Mystery off to my publisher on Sept. 1st. It might go out today.
I meant to finish the third Simon & Elizabeth Mystery. It isn't even close.
I wanted to edit a stand-alone I've been working on for a couple of years. I'm maybe a third through that one.
As a writer, I'm often swamped with ideas: so many stories I want to tell. There just isn't enough time for everything I want to do. There's no one standing over me with a club. It's my own desire--maybe need--to write that drives me onward (and maybe a little crazy).
With all that I wanted to accomplish, September has slipped from my (constantly typing) fingers, and I barely noticed.
Oddly enough, for me this is happiness.

Wednesday, June 01, 2011

SHAKESPEARE'S BLOOD Is Here!

Waaaaay back in 2007, we were driving in the hills of West Virginia, two innocent tourists, when my phone rang. "Your book, SHAKESPEARE'S BLOOD, has been chosen as a finalist in Amazon's Breakout Novel Contest," someone informed me. Well, that changed the tenor of conversation in that car, as you can well imagine.
But nothing happened. The book did not ultimately win Amazon's contest. The agency that took it on was not successful in selling it, although editors who looked at it said nice things. And in the meantime, my historical series took off. I was too busy to deal with Mr. Shakespeare and his blood.
It happens. Authors have stuff that could be published--should be published, but finite limits of time and energy just don't allow them to do everything they would like to do. But opportunity knocked last fall, and suddenly SHAKESPEARE'S BLOOD was on the front burner again. (I have to admit, I've got more front burners now than I once had!) June first, 2011 was the target date for e-book publication, and darned if it hasn't come about. Softcover? Maybe soon. It's a matter of all those burners staying operational.
The book is classified as mystery/suspense, and it concerns a tourist in the UK caught up in a search for gold and the truth about an English spy and his connection to William Shakespeare. I had a lot of fun with the whole "Did Shakespeare write Shakespeare?" idea, and it's pretty clear at the end that I believe he did. What I aimed for was an exciting chase story with lots of clever clues and intriguing details for those who like Shakespeare.
SHAKESPEARE'S BLOOD is available from Amazon, B&N, and other e-reader sites:
You can read more about it on my website: http://pegherring.com

Wednesday, March 30, 2011

If Publishing a Mystery Were Only as Easy as They Think!

People other than published authors tend to see writing as a life of ease rewarded by huge paychecks, the adulation of millions, and one’s name on the NYT best-seller list every other year. Let’s talk about the life of ease part.
All my life I was told I had writing talent. I went to a good college and studied writing with excellent instructors. Then I spent three decades teaching others about writing. Despite all that apparent talent and actual experience, writing a book--at least a good book--is hard, very hard. It takes a long time, a lot of effort, a sense of organization, and a dedications to one’s readers that is hard to describe. They say everyone has a book in his/her head. Yeah, well, come and see me when you’ve got something on paper, and not just the first three chapters!
My April 1 release, THE DEAD DETECTIVE AGENCY, took months to write and self-edit. (I have a system that is fairly complex, but it works for me: reading for a single facet, like characterization, and then reading again for a different facet, like sensory detail). When I had done what I could for the time being, I had a couple of friends read the story. They loved the premise, the fun I had mixing life with afterlife. That was good, but they had suggestions, too, so I read it again, taking my friends’ comments into serious consideration. Then I asked my son to read the manuscript, because the setting is an investments firm and he is in that business. I wanted to make sure I didn’t say something dumb about a business I don’t have much experience with. That meant more changes, reading through the whole thing again, and fixing areas he commented on.
Once the book was accepted by a publisher, it went through several more editions. The first editor and I haggled over terms (are they “slacks” or “pants” nowadays?) At her suggestion I expanded some characters and minimized others. She wanted more information on the setting, Grand Rapids, Michigan, so I had to do more research to make sure the details I added were correct. She helped me clarify my portrayal of the afterlife at the beginning of the book so the reader would not be confused later about what can and can’t happen there. All in all, that was three more edits, three more times through the story with a pen and a microscope.
Then the “big” editor took a turn through the book. She made suggestions to further clarify details. She asked questions about what my intentions were in certain spots. In short, she fine-tuned the book so that the humor comes through better and the reader doesn't feel left behind.
Finally, the copy editor had me take a last look through to find the itsy-bitsy things that drive readers crazy: punctuation/spelling errors, extra spaces, etc.
Now the book is ready for release. My publisher, who has been very supportive, arranged a Cyber-Launch on Author Island (authorisland.com: stop by and ask a question or make a comment!) for April 1. She also found a respected reviewer willing to read a book by a fairly unknown author, and the review is positive (YAY!). My part is to tell the world I have contact with about the book, hence a Blog Tour, a Facebook ad, and lots of trips/mailings to bookstores, et cetera, et cetera, et cetera.
So where is this life of ease? Writing is work, real work, and promoting is work piled on top of the original work. Authors do not have it easy, although I don’t know a single one who doesn’t feel that it’s all worth it when just one person says, “I loved your book.”
People often ask me what it takes to get published. Unless you already have a platform (some sort of fame attached to your name), it takes persistence: persistence to write the best book you are capable of, persistence to get it published professionally, and persistence in spreading the word that, among the million others out there, there’s this great little mystery called THE DEAD DETECTIVE AGENCY.

THE DEAD DETECTIVE AGENCY is available in print or e-book form at
http://www.ll-publications.com/deaddetectiveagency.html and will soon be at most e-book retailers.

Teaser: Tori Van Camp awakens one morning on a cruise ship. She seems to be a welcome guest, and the ships offers anything she might require or request. But why does she have a clear memory of being murdered, and how can she find out why someone wanted her dead?

“The Dead Detective Agency combines belief in the afterlife with the paradoxical uncertainty of survival in the present, and is full of wickedly dark humor combined with regular laugh-out-loud moments.” —Sam Millar, New York Journal of Books

Monday, January 31, 2011

Peg's Blog Crawl

Today (Jan.31) starts my Blog Crawl (a pub crawl mixed with a blog tour). There are prizes to be had by commenting on the posts as I travel from blog to blog during the month of February. You can find the details at
itsamysterytomepegherring.blogspot.com

As you follow the crawl, you'll be entertained with uses and abuses of the English language. Each week some lucky reader will win a copy of my February release, THE DEAD DETECTIVE AGENCY
(either print or e-book format, your choice).

So get over there and get started!

Wednesday, December 15, 2010

What Mystery Writing Demands

Mystery as a genre is often dismissed as...well...genre fiction. It's true that there are expected, almost required elements that can make a mystery formulaic. Events sometimes veer from reality for the sake of plot. The police ignore possibilities outside the box. The protag loses his cell phone. He goes alone to a place where every sense should be screaming, "Don't!" A convenient character shows up and drops an essential bit of information without any real reason for doing so.
(In the book I'm currently reading--big name author--the protag is just wandering through an area and two complete strangers venture out of their homes, one after the other, and invite him in. Each provides valuable information about the case. Maybe I'm lacking social sense, but I cannot recall the last time I saw someone passing on the road and asked him in for tea!)
Mystery writing--at least the best of it--requires writing talent along with an additional skill: mystery construction. To create characters who resonate, plots that hold interest, and settings that pop is one thing, and we certainly want that. To at the same time drop hints for the reader, hints that add up later but don't give the whole thing away, is both different and difficult. Everything has to contribute, every blind alley must be believable at first but then not. As a reader, I feel cheated if a character has shown no sign of evil and yet is in the end. I hate it when the crime is so elaborate there is little possibility of it succeeding, and yet it does. I'm angry when the evildoer is not even on the radar until the final revelation.
In addition to good story-telling, then, a mystery writer has to do good mystery-telling. Unlike other genres, mystery is a maze. The writer knows the layout, and the reader must follow his lead. He should not meander, should not examine unrelated avenues. He should guide the reader deftly, with a clear reason for every twist and turn taken.
A reader of mystery should be entertained by good writing, but she should also find at the end that she was given, within the maze, a fair chance to solve the puzzle by herself. One hopes that she missed it, being so entertained by the journey.

Monday, November 01, 2010

Magna cum Murder 2010




Magna, a small con in Muncie, Indiana that happened this past weekend, is always fun because it is smaller and more fan-friendly than some other cons. Here are my photos of some of it. Pictured: Luci Zahray, a.k.a The Poison Lady; Laura Alden, author, and P.J. Coldren, book reviewer. Charles Todd (a writing duo comprised of mother Caroline Todd and son Charles). Brenda Chapman, Tony Perona, and one unknown (sorry).
It was great fun!

Monday, August 02, 2010

MysterEbooks This Week

Here is the list of ebooks featured on mysterebooks.blogspot.com this week:
Monday

Title: L.A. HEAT

Author: P.A. Brown

Genre: Police Procedural w gay characters

Setting: Los Angeles


Tuesday

Title: TWENTY-FIVE YEARS AGO TODAY

Author: Stacy Juba

Genre: Mystery/Romantic Suspense

Setting: New England


Wednesday

Title: JOURNEY TO DIE FOR
Author: Radine Trees Nehring

Genre: Mystery/senior citizen detectives

Setting: The story opens on the (real) A&M Railroad historic excursion train operating between towns in Northwest Arkansas, unfolds in the 1809 Arkansas River town of Van Buren, moves to Kansas City, and then back to Van Buren. Though the book refers back to historic events, action time is present day.


Thursday

Title: THRILLED TO DEATH

Author: L.J. Sellers

Genre: mystery / suspense / police procedural

Setting: Eugene, Oregon


Friday

Title: HER HIGHNESS' FIRST MURDER

Author: Peg Herring

Genre: Historical mystery

Setting: Tudor London (1500s)